Music
"Ugly music for ugly people"
I create music, for me (llabyellov), my company (EDO Cirque), and some other artists.
I don't create in one single genre of music, even if I have more or less a style, so it's better to try to listen to more than one song. Or do as you prefer, actually.
I cannot make everything you want, as I'm not a composer, but with my abilities and my taste, I would love to try to create something for you. It could be something short as a sound, or something very long, as a 40 minutes long music exploration.
As I said, I'm not a composer, and I'm not here to steal anyone's job. But I think, as a circus artist myself, I can understand better than many some of the needs and problems of using and creating music for circus.
Contact me if you are interested, then we will see what's possible!
Weird electronic, vaporwave, techno, ambient.
All, with a tendecy for melancholic chords, stupid name titles, kitsch details and vintage sounds!
Goooooood examples!
TG Juggling
"TG Juggling" is a monthly released youtube video, about what happened in the online juggling community.
As being myself (a small) part of the project, I proposed to make some music for the theme, the backgrounds and the ending. Here is the album.
Crinolina // Camille Judic
Camille, good friend, amazingly good aerial strap artist, asked me to use 24th for one of her numbers.
Crinolina is the result.
Martina Monnicchi // Progetto Personale
Martina, old time friend, surprising aerial artist, ESACTOLIDO student. She used 满洲里市 (Manzhouli) for the first part of her project.
(Manzhouli is one of my best songs, in my opinion, very weird sounds!)
Echappées 2019 // 31e promotion du CNAC
In our final year solos show, some of my sounds were used for:
the end of my solo
Noémi Devaux's solo, in which I was on stage
the beginning of Ivan Ruiz Morales's solo
the interval
NOT READY YET
mettere roba sui modi cui la musica può accompagnare il circo
Au cirque les sons peuvent:
- ne pas exister. C’est le silence.
- accompagner. C’est-à-dire aller dans la même direction que ce qui est présenté.
- contraster. C’est-à-dire aller contre ce qui est présenté.
- colorer. C’est-à-dire donner un thème à ce qui présenté.
- choraliser. C’est-à-dire expliquer quelque chose qui ne se voit pas.
- dialoguer dynamiquement. C’est-à-dire occuper une place à côté de ce qui est présenté. Être une matière en soi.
- surligner. C’est-à-dire suivre les “cue“ de ce qui est présenté
- corporaliser, ludiser (de l’italien). Utiliser les sons émis par les corps et les agrès. . Le son met alors en jeu
l’objet qui le produit.
- chorégraphier (ici aussi). Ce qui est présenté suit la musique. Elle est utilisée comme référence pour l’écriture.
- concertiser. C’est le cas quand la musique devient soliste.
- ritualiser. C’est le cas quand la musique a un rôle cérémonial ou traditionnel, comme les trois chansons au début
des spectacles de cirque classiques ou celles de l’entracte.